Fil:Aeneas' Flight from Troy by Federico Barocci.jpg

Opprinnelig fil (1 050 × 729 piksler, filstørrelse: 119 KB, MIME-type: image/jpeg)
Denne filen er fra Wikimedia Commons og kan brukes av andre prosjekter. Beskrivelsen fra filbeskrivelsessida vises nedenfor.
Beskrivelse
Escape of Aeneas from Troy
![]() ![]() |
|||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Kunstner |
|
||||||||||||||||||||
Tittel |
Escape of Aeneas from Troy label QS:Lfr,"Énée fuyant Troie"
label QS:Lzh,"埃涅阿斯逃離特洛伊"
label QS:Len,"Escape of Aeneas from Troy"
label QS:Les,"Fuga di Enea da Troia e San Girolamo"
label QS:Lde,"Aeneas flieht aus Troja" |
||||||||||||||||||||
Objekttype |
maleri ![]() |
||||||||||||||||||||
Sjanger |
mytologisk maleri ![]() |
||||||||||||||||||||
Dato |
1598 ![]() |
||||||||||||||||||||
Medium |
olje på lerret ![]() |
||||||||||||||||||||
Dimensjoner |
høyde: 179 cm ![]() ![]() dimensions QS:P2048,+179U174728 dimensions QS:P2049,+253U174728 |
||||||||||||||||||||
Samling |
institution QS:P195,Q841506 |
||||||||||||||||||||
Museumsnummer |
68 (Galleria Borghese) ![]() |
||||||||||||||||||||
Inskripsjoner |
|
||||||||||||||||||||
Merknader | Documentary image of 1598 painting | ||||||||||||||||||||
Referanser | |||||||||||||||||||||
Kilde/Fotograf | Web Gallery of Art, Uploaded to en.wikipedia 03:45 28 Jul 2004 by en:User:Wetman. | ||||||||||||||||||||
Andre versjoner |
|
Lisensiering
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Annotations InfoField | This image is annotated: View the annotations at Commons |
Anchises, father of Aeneas
Ascanius (also called Iulus), son of Aeneas
Aeneas
Creusa - wife of Aeneas
Bildetekster
Elementer som er med i denne fila
motiv
Escape of Aeneas from Troy engelsk
image/jpeg
990e0db46a3ccb3fe846e21c323ef73198915a3e
122 070 byte
729 piksel
1 050 piksel
Filhistorikk
Klikk på et tidspunkt for å vise filen slik den var på det tidspunktet.
Dato/klokkeslett | Miniatyrbilde | Dimensjoner | Bruker | Kommentar | |
---|---|---|---|---|---|
nåværende | 9. mar. 2018 kl. 16:04 | ![]() | 1 050 × 729 (119 KB) | wikimediacommons>Blackcat | Reverted to version as of 18:27, 14 April 2005 (UTC) bad colours |
Filbruk
Metadata
Denne filen inneholder tilleggsinformasjon, sannsynligvis lagt til av digitalkameraet eller skanneren som ble brukt til å lage eller digitalisere det.
Hvis filen har blitt forandret fra utgangspunktet, kan enkelte detaljer være unøyaktige.
JPEG-filkommentar | BAROCCI, Federico Fiori
(b. 1526, Urbino, d. 1612, Urbino) Aeneas' Flight from Troy 1598 Oil on canvas Galleria Borghese, Rome Federico Barrocci's Aeneas' Flight from Troy with Anchises, his son Ascanius and his wife Creusa is the second version painted in 1598 of a picture executed ten years earlier for Emperor Rudolf II of Austria. Cardinal Giuliano della Rovere presented Cardinal Scipione with this second version, which entered the Borghese collection before 1613. It was this painting that inspired Cardinal Scipione to commission a large marble group on the same subject from Gian Lorenzo Bernini (also in the Borghese Gallery). The myth of Aeneas, ancestor of Romulus and Remus, referred to the birth of Rome and thus confirmed the Borghese family's high status in the city. Barrocci's many drawings of nature led him to achieve a spontaneity and naturalness in movement, colour and airy effects, and a silvery luminosity that was to influence the 17th-century masters, particularly Rubens. Never before had flames been painted so close to, with an energy suggesting even the crackle of the fire, from which Ascanius seems to be protecting himself by covering his ears. But the human delicacy of Barrocci's anti-heroic and anti-rhetorical figures was not to be really appreciated in Rome, because it could not compete with the classical antique statuary.
Author: BAROCCI, Federico Fiori Title: Aeneas' Flight from Troy Time-line: 1551-1600 School: Italian Form: painting Type: mythological |
---|