Redigerer Heinrich Maria Davringhausen

{{Infoboks biografi}}
'''Heinrich Maria Davringhausen''' (født [[21. oktober]] [[1894]] i [[Aachen]], død [[13. desember]] i [[Cagnes-sur-Mer]] (forstad til [[Nice]]) [[1970]]) var en [[tyskland|tysk]] [[maler]] og i en periode også [[billedhogger]], som assosieres til [[Neue Sachlichkeit|den nye sakligheten]].

Hans kunst ble allerede fra 1933 erklært som uønsket, og han fikk fikk utstillingsforbud etter beslag av en mengde verker. Beslagsprotokollen nevner 8.<ref>[http://emuseum.campus.fu-berlin.de/eMuseumPlus?service=RedirectService&sp=Scollection&sp=SfieldValue&sp=0&sp=154&sp=3&sp=SdetailList&sp=0&sp=Sdetail&sp=0&sp=F Beslagliste]</ref>
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<nowiki>Davringhausen was born in [[Aachen]]. Mostly self-taught as a painter, he began as a sculptor, studying briefly at the [[Düsseldorf]] Academy of Arts before participating in a group exhibition at Flechtheim's gallery in 1914. He also traveled to [[Ascona]] with his friend the painter [[Carlo Mense]] that year. At this early stage his paintings were influenced by the [[Expressionism|expressionists]], especially [[August Macke]].<ref>Michalski, 1994, pp. 81-82</ref>

Exempted from military service in [[World War I]], he lived in [[Berlin]] from [[1915]] to [[1918]], forming friendships with [[George Grosz]] and [[John Heartfield]]. In [[1919]] he had a solo exhibition at Hans Goltz' Galerie Neue Kunst in [[Munich]], and exhibited in the first "Young Rhineland" exhibition in Düsseldorf. Davringhausen became a member of the "Novembergruppe" and gained some prominence among the artists  representing a new tendency in German art of the postwar period. He was asked to take part in the Neue Sachlichkeit (New Objectivity) exhibition in [[Mannheim]] which brought together many leading "post-expressionist" artists, including Grosz, [[Otto Dix]], [[Max Beckmann]], [[Alexander Kanoldt]] and [[Georg Schrimpf]].

Davringhausen went into exile with the fall of the [[Weimar republic]] in [[1933]], first going to [[Mallorca]], then to [[France]]. In Germany approximately 200 of his works were removed from public [[museum]]s by the [[Nazi]]s on the grounds that they were [[degenerate art]].  Prohibited from exhibiting, Davringhausen was interned in [[Cagnes-sur-Mer]] but fled to [[French Riviera|Côte D' Azur]].  In [[1945]] however he returned to Cagnes-sur-Mer, a suburb of [[Nice]], where he remained for the rest of his life. He worked as an abstract painter under the name Henri Davring until his death in 1970.<ref>Michalski, 1994, p. 84</ref>

Perhaps the best-known painting from Davringhausen's New Objectivity period is ''Der Schieber'' (''The Black-Marketeer'') of 1920, which is in the Kunstmuseum Düsseldorf im Ehrenhof. It shows a man in a suit glowering behind a desk in a modern office suite that foreshortens dramatically behind him. This work is in his early, [[Magic realist]] style, while the works Davringhausen produced after his emigration were abstract. Much of his work was deposited in 1989 in the Leopold Hoesch museum in [[Düren]], which has organized since then several exhibitions of his pictures, above all those from the later period. 
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== Referanser ==
<references />

== Litteratur ==
* Eimert, Dorothea (1995). '' Heinrich Maria Davringhausen 1894 – 1970.'' Köln.
* Michalski, Sergiusz (1994). ''New Objectivity''. Cologne: Benedikt Taschen. ISBN 3-8228-9650-0
* Schmied, Wieland (1978). ''Neue Sachlichkeit and German Realism of the Twenties''. London: Arts Council of Great Britain. ISBN 0-7287-0184-7

== Eksterne lenker ==
* http://www.davringhausen.com


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{{STANDARDSORTERING:Davringhausen, Heinrich Maria}}
[[Kategori:Personer fra Aachen]]
[[Kategori:Tyske malere]]
[[Kategori:Entartet]]
[[Kategori:Modernisme]]